Inspired by travel exhibition – Bristol Tobacco Factory

I have a forthcoming solo exhibition entitled ‘Inspired by travel – Paintings by Mary Price’ at the Tobacco Factory cafe and bar starting on Monday 5 September and running for the entire month. I will be sharing and selling work painted during the past year inspired by my travels to Spain and Portugal. Full details see the Tobacco Factory website here

The exhibition will feature a number of larger works on canvas as the space at the Tobacco Factory lends itself well to big paintings which is great for me as I love to paint big.

The show includes a series that reflects my love of wandering  aimlessly around narrow side streets in the cities of Porto, Lisbon, Cadiz, Malaga and Seville as well as some of the pretty towns on the Algarve.

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Cadiz Casa ©Mary Price 2016

The work in the show reflects my fascination with old windows and doors and a series of imaginary buildings that are a mixup of essence of place and memory. I always draw and take lots of photographs when I travel but my paintings are far from representational. Anyone who reads these blog posts will know that I favour an intuitive way of expression.

For me this means building up layers of marks and tonality before imposing imagery that inspires in the moment. I like to begin from a space that is free and easy and to hone detail and subject later in my working process. Sometimes happy accidents on the page where imagery starts to emerge will set me off in one direction, at other times I have a sense of what I am trying to achieve and a notion of the vague direction the painting is heading in.

I tend to go through phases of obsession with different inspirations and the current focus is on fabulous imaginary homes imbued with various symbols that represent place in memory.

if you would like to read more about how travel inspires my work please go to this post on travel memory paintings

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Sevilla Casa ©Mary Price 2016

If you would like to find out more please feel free to contact me via the form below.

How memory becomes a painting

Details from ‘Memories of Sardinia’ ©Mary Price 2015

Memory has always played an important part in my choice of imagery. I love to travel and always take sketch and notebooks  with me. Moleskine notebooks and little postcard sketchbooks are portable and make it easy to do quick sketches without weighting down bags. I also use the brushes and paper 53 drawing apps on my iPad.

Moleskine sketchbook – View from the terrace at Porto Taverna – Sardinia ©Mary Price 2015

Little sketches fuel later paintings often subconsciously. Sketching allows real engagement with imagery, you are just there with your materials responding to something in front of you. 

 

paper 53 app drawing of ancient stone wall in Menorca ©Mary Price 2015

Drawings do not have to be photographic or representative in realistic detail to be useful. Sometimes the way your hand moves in response to what you are drawing or the marks made to represent something inform the way you later paint as those movements and marks repeat in memory.

view acros the lagoon at Porto Taverna – Sardinia

Photographs are useful too. Here I have responded to the sunlight on an old stone wall. Not a great photo in terms of composition but the way these old walls make me feel is what this is all about. The way the stones are crushed up against each other and covered with growth integrating  the human made with nature.

The painting below shows the first few layers. I have reviewed an unloved painting and used the base of marks as a  jumping off point. It is easy to see here how memory is kicking in with shapes of rocks emerging against a backdrop of cerulean and emerald sea.

early layers of ‘Memories of Sardinia’ ©Mary Price 2015

Reviewing some photos from several trips this year I have been fascinated by the history residing in the ancient stone walls that weave across the Mediterranean islands of Menorca, Majorca and Sardinia. 

Dry stone walls on the walk to Cala Deia in Majorca

Dry stone walls near Valdemossa – Majorca

Hard dry stoney land that has been cleared and segmented by human made walls covering hundreds if not thousands of miles. The walls often re absorbed by their natural landscape of hardy scrubby plants like cacti and sun burned grasses, aromatic herbs like wild fennel and rosemary, colour bursts of vermillion, lemon and orange from oleander and juicy citrus trees and shade cast by olive groves.

cacti plant – Sardinia


These shapes, colours and sense of place fill the memory that stirs the emotion that inspires me to paint. There is so much inspiration in the contours of the snuggled rocks, the bursts of colour and the variation of plant shapes.

Memories of Sardinia 2015 ©Mary Price 2015

Memories of a landscape at sunset when the world is set alight in luscious pink and orange – this inspires the Fauvist colour that I love to emulate.