My Frida Kahlo

 

Frida Kahlo is an inspiration to so many and she has been having more than a moment in popularity just lately. Wherever you look right now her unique and distinctive monobrow seems to be displayed on anything from shopping bags to aprons and magnets to mugs in some of the trendiest gift shops in my home town, Bristol.

But her ubiquitous image appearing on all kinds of gift items is not the reason that I felt compelled to tackle her beauty albeit these may have had some responsibility in raising my awareness.

I noticed on my Instagram feed that people were using quotes by Frida to inspire and this led me to want to get to know more about her. She has, I learned, become something of a feminist icon and it is this primarily that peeked my interest.

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Frida Kahlo and flowers (detail – earlier in painting progress) ©Mary Price 2016

Her tenacious approach to a life marred by physical disability and disappointment is famously and beautifully reflected in the wonderful paintings she made where she pours emotion and her own life story through self portraiture and symbolism.

Frida said, “I don’t paint dreams or nightmares, I paint my own reality.” To follow Frida’s paintings chronologically throughout is to follow her life. She lost herself in the very act of painting and found herself reflected back onto the canvas. Despite being unable to move for much of her life she found freedom through her art. She famously said, “Feet , what do I need them for when I have wings to fly.”

This sense of how painting can give wings to fly to an imaginary freedom resonates with me entirely. Painting, I find, is an escape route into another place, another universe where when lost in the act, time stands still and reality is for the moment suspended in a creative dream.

My Frida is relaxed with her eyes closed and surrounded with a meadow of imaginary flowers symbolising her beauty and reflecting her enigmatic passionate energy. She also once said, “I paint flowers so they will not die” so I wanted my Frida to be almost floating or bathing in flowers.The bath of flowers is also an important analogy in respect of her famous painting,’What the water gave me’.

Her palm tree earrings are where I have chosen to connect us both. Palm trees are my symbol reflecting my love of travel, natural beauty and by their swaying loveliness growing best in warmer climates a sense of eternal optimism and hope.

 

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Frida Kahlo and flowers ©Mary Price 2016

 

New painting from old

Sometimes looking at an old painting that you never really liked is a great opportunity to reinvent and start afresh without having to confront the scary blank canvas.

©Mary Price 2015


I had this garden painting hanging on the wall for ages but had never really felt that it was finished or ‘resolved’ with its two clumsy white spots, an excuse for introducing some tonality to the blue meadow inspired imagery.

©Mary Price 2015


So I took it into the shed and started to paint over it in warm contrasting colours to see what I could do to refresh and renew and make something beautiful out of something I had fallen out of love with.

Sticking with the intuitive process that has dominated my art this year especially, I kept at it, adding colours and marks with varying tools to arrive at a stage where the original painting had not disappeared but provided a backdrop for some new exciting things to emerge and start happening.

©Mary Price 2015


Slowly I began to see the outline of a face suggested in the marks and I worked with this. 

©Mary Price 2015


The meadow of the original painting was still there in essence so I started to think about how I could incorporate the two elements to create a figure immersed in landscape. The headdress morphed several times, at one point a bird was flying out of it, but I preferred the organic flowery, feathery, meadow suggestions and brought these kinds of imagery into sharper focus. 

©Mary Price 2015


I’m learning the power of tonal depth, something that my colourful offerings have lacked so much in the past. Flora Bowley showed me how what she calls value contrast adds to the overall cohesiveness of a painting. For this painting deepening the outline of the figure and introducing translucence to the dress has I think brought some tonal contrast to colour explosion that is her headdress.

©Mary Price 2015


My subliminal inspiration for this painting is a vintage 1970s print bought in a charity shop, some photos that I took on a trip to Bali about 30 years ago and drawings of meadows in Branscombe. I love how different aspects of life and memory can impact on how a painting becomes what it is. There are also shades of inspiration from Girl with a pearl earring by Vermeer.

 

 

I will be getting prints done of this painting for sale in my Etsy shop in the near future.

Girl with meadow headdress – mixed media on canvas

Woman with Meadow Head dress 2015 ©Mary Price 2015